From acceptance to publication

 

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Over the weekend I finished correcting first proofs of THE USUAL STORY, a prequel to THE CRYSTAL BALLROOM and posted them back to Ginninderra Press in Adelaide. Final proofs next. We’re on track for a July release. An exciting time.

red and black book cover The Crystal Ballroom

This is my third book, so I’m getting used to the publication process. After acceptance of the manuscript by Ginninderra Press in July 2017, eight months later I received first proofs. These I’ve read and corrected.

In the meantime we have been discussing the cover image. Ginninderra Press is a small but prestigious publisher and I’m able to have a say in cover design. This doesn’t happen with a larger publisher. I am also in communication with GP about a quote to put on the front cover to attract sales and a blurb for the back cover.

Blurbs are very difficult to write. I had a chat with my good friend the talented author Susanne Gervay today about my blurb. She did a brainstorming session with me and I think we’ve got a few lines together that will make people want to read the book.

first proofs, The Usual Story by Libby Sommer

Actually, first draft of the blurb is:

‘Tango is the dance of passion, forcing partners into an intimate relationship. Sofia loves the tango, but at the dances she comes face to face with the truth of her aging in today’s culture that has very little use for anything that is not young.’

What do you think? I would LOVE some feedback on this blurb. Please give me your response in the comments section. I’m not a good big-picture-person like my friend Susanne. I’m more into observing small details, which is good for prose and poetry but not for writing pitches and blurbs.

I asked Les Murray, Nobel Prize nominee for Literature, who is also Literary Editor of Quadrant magazine, if he would read THE USUAL STORY and write a couple of lines for the back cover. He said yes. Wow! I’m so delighted. He knows my work well having published many of my short stories and poems. So first proofs have also been posted to him.

So that’s front and back cover. And then there’s a dedication page to be added, acknowledgements, etc.  Versions of three of the chapters in THE USUAL STORY were first published in Quadrant so this needs to be acknowledged.

Then comes final proofs. Professional proof readers are very expensive so I’m hoping my eldest son with the PhD will proof read for me this time. TBA.

Then comes Cover Release with a big beat up on social media. I post regularly on Instagram and Facebook and less regularly on Twitter and Pinterest. I think the cover looks terrific. It’s not all finalised yet. I asked two tango dancers I know for copyright clearance on one of their images that shows the two of them dancing the tango. It’s one of the photos they use to promote their classes at A Little Buenos Aires. They said yes, as long as I acknowledge copyright ownership. So that’s great. It’s an eye-catching pic and would look good beside THE CRYSTAL BALLROOM in book stores.

Next step is pre-release copies announcement. Social media again.

Then details of the release date of THE USUAL STORY. Champagne and balloons and a lot of brouhaha when the book is finally available to the public.

I am not planning to have a book launch. Unfortunately, I am a very shy person and hate being the centre of attention. I had a launch for my first book and it was very successful. However, I was so anxious I thought I was having a heart attack. So not doing that again. A shame because book launches are a good way to sell books. Because this book also features a lot of tango dancing, I am thinking I could have a soft launch at a milonga or tango dance. Just a slice of chocolate cake and a glass of champagne at half time. Or not.