My Microlit ‘In the Mall’ was selected as an entry in the Microflix Writers Awards available to be chosen by filmmakers for adaption to a short film for the 2019 Film Awards. On the theme of SOUND it is available to view on the Microflix SOUND extracts page on the website of Australian short story publisher, Spineless Wonders.
So what is Microlit? According to writer, teacher and editor, Karen Whitelaw: Imagery is important to all writing, but none more than microlit. … Writing is a visual art; paint pictures with words. Things don’t have to be explained, merely implied. This is the beauty of the form, that behind the words a whole world is peeping through. The micro-story has to say something.
Have a read of my story. Hope you enjoy it.
IN THE MALL
In a café inside a mall in Sydney a small curly-topped girl sobbed and sobbed. She sat on her father’s lap, stabbing her finger into a slice of banana bread. Her dad soothed, whispered, coaxed. What would you like, Tara? He cut into his poached egg. Toast? he cajoled. The girl sobbed more loudly, wailing, coughing, staring out into the mall. I want my mum. She cuddled a pink soft piglet. Our eyes scanned the glass display of croissants, pies and pastries. I loved every carb that did not pass my lips. I loved the sobbing child who heard no one else in that cafe but herself, whose lungs fought hard to reach a soaring, sorrowful pitch. What have you got? an elderly woman asked her. Still crying, the child held up her toy. Her father gave up on his poached eggs and carried her out, still wailing. We went and sat at the table with the stabbed-at bread her finger had made and swept the moist crumbs into a heap.
Copyright © 2019 Libby Sommer
My prose poem THE CELLIST has been accepted for publication in Quadrant magazine.
And another prose poem THE LADDER AND ITS DANGERS was recently longlisted for the 2019 joanne burns Microlit Award. It will be available for inclusion in a range of multi-platform activities organised by Spineless Wonders including #storybombingNWF20, podcasts, live performance and the Microflix Awards.
I love the short short form: prose poems, microlit, flash fiction. I’m putting together a new collection of my published short form stories and prose poems. The working title is SMALL FICTIONS. What do you think?
Prolific widely-published flash fiction writer Meg Pokrass says on Facebook that:
‘The more I become involved in the editorial side of the microfiction form, the more it becomes mysterious to me. The more it seems like some kind of freaky magic. After reading thousands of stories for Best Microfiction, all I can say is that there is no formula. The other thing I can say is that we must use who we are when we write. Trying to perfect a “style” is useless. Making something that feels like you, something only you can possibly see that way, works wonders. The secret seems to be in revealing who you are through the life of a character or two, which somehow mysteriously makes us see something unusual about the world itself. Finding your own expression of something we all have felt before, in some sly and startling way that hooks us.’ – Meg Pokrass
Great advice. Agree?
I am delighted to say that my micro-fiction ‘In the Mall’ has been selected as an entry in the Microflix Writers Awards. Halleluja. I’ll find out in August if my story is chosen by filmmakers for adaptation to a short film for the 2019 Microflix Awards. My microlit on the theme of SOUND is available to view on the Microflix SOUND extracts page on the website of Australian short story publisher, Spineless Wonders.
The theme for 2019 is SOUND.
This year, Microflix invites authors to submit microlit texts on the theme of SOUND for adaptation by filmmakers. The texts submitted will be reviewed by microlit specialist and Spineless Wonders’ editor Associate Professor Cassandra Atherton. Submissions will be accepted until 30 April and those selected by Cassandra will be included in the 2019 SOUND Texts section on this website.
Exploring the theme of SOUND
We are looking for prose pieces suitable for film adaptation which riff on the theme of sound. You may wish to reflect on the soundtracks of your life – be that songs and music or sounds from the built environment or the natural world. Your submission may reflect on the absence of sound or it may take us into a world without music. Your approach may be playful, witty, political, philosophical or all of the above.
My fingers are crossed.