The Writing Process

At a literary event I heard someone say, “The thing to do is put the idea in your subconscious.  Your brain will do the work.”

It takes time for our experience to make its way through our consciousness.  For example, it is hard to write about a journey while you are still in the midst of the adventure.  We have no distance from what is happening to us.  The only things we seem to be able to say are “having a great time”, “the weather is good”, “wish you were here”.  It is also hard to write about a place we just moved to, we haven’t absorbed it yet.  We don’t really know where we are, even if we can walk to the train station without losing our way.  We haven’t experienced three scorching summers in this country or seen the dolphins migrating south along the  coast in the winter.

“Maybe away from Paris I could write about Paris as in Paris I could write about Michigan.  I did not know it was too early for that because I did not know Paris well enough.” – Ernest Hemingway, A Moveable Feast  (New York:  Charles Scribner’s Sons, 1964).

So we take in experience, but we need to let things make their way through our consciousness for a while and be absorbed by our whole selves.  We are bower birds, collecting experience, and from the thrown away apple skins, outer lettuce layers, tea leaves, and chicken bones of our minds come our ideas for stories and poems and songs.  But this does not come any time soon.  It takes a very long time (three to ten years in the case of literary fiction).  We need to keep picking through those scraps until some of the thoughts together form a pattern or can be organised around a central theme, something  we can shape into a narrative.  We mine our hidden thoughts for ideas.  But the ideas need time to percolate:  to slowly filter through.

Rumi, the thirteenth-century Sufi poet, summed up what could be the creative process when he wrote “The Guest House”:

This being human is a guest house.

Each morning a new arrival.

A joy, a depression, a meanness,

some momentary awareness comes

as an unexpected visitor.

Welcome and entertain them all!

Even if they are a crowd of sorrows,

who violently sweep your house

empty of its furniture,

still, treat each guest honorably.

He may be clearing you out

for some new delight.

The dark thought, the shame, the malice,

meet them at the door laughing and invite

them in.

Be grateful for whoever comes,

because each has been sent

as a guide from beyond.

Jalaluddin Rumi, in The Essential Rumi, translated by Coleman Barks, 1999

Our work is to keep rummaging through the rubbish bins of our minds, exercising the writing muscle, in readiness to answer that knock at the door when it comes.

As the author Vivian Gornick said, “The writers life is the pits.  You live alone and you work alone, every day I have to recreate myself.”  She paused and laughed.  “But when the work is going well there is nothing that compares.”

What about you? Are you ready to answer the knock at the door?  

Finding the Writer’s Magic

So much advice out there on writing process but these three books, old ones but good ones, are my favorites. You can see how well-loved they are by how many pages are marked with stickers. I’ve used the books many times when teaching my ‘Writing from Within’ course where we try to harness the unconscious by falling into an artistic coma.

1.

Have you ever longed to be able to draw or paint, write or compose music? In ‘The Artist’s Way’ by Julia Cameron you can discover how to unlock your latent creativity and make your dreams a reality.

‘The Artist’s Way’  provides a twelve-week course that guides you through the process of recovering your creative self. It dispels the ‘I’m not talented enough’ conditioning that holds many people back and helps you to unleash your own inner artist.

‘The Artist’s Way’ helps demystify the creative process by making it part of your daily life. It tackles your self-doubts, self-criticism and worries about time, money and the support to pursue your creative dream.

2.

In ‘Writing Down the Bones’ by Natalie Goldberg, the secret of creativity, she makes clear, is to subtract rules for writing, not add them. It’s a process of “uneducation” rather than education. Proof that she knows what she’s talking about is abundant in her own sentences. They flow with speed and grace and accuracy and simplicity. It looks easy to a reader, but writers know it is the hardest writing of all.’ – Robert Pirsig

‘Writing Down the Bones’  Natalie Goldberg’s first book, sold millions of copies and has been translated into twelve languages. For more than thirty years she practiced Zen and taught seminars in writing as a spiritual practice.

3.

‘Becoming a writer’ by Dorothea Brande is a reissue of a classic work published in 1934 on writing and the creative process. It recaptures the excitement of Dorothea Brande’s creative writing classroom of the 1920s. Decades before brain research “discovered” the role of the right and left brain in all human endeavor, Dorothea Brande was teaching students how to see again, how to hold their minds still, how to call forth the inner writer.

‘Refreshingly slim, beautifully written and deliciously elegant, Dorothea Brande’s Becoming a Writer remains evergreen decades after it was first written. Brande believed passionately that although people have varying amounts of talent, anyone can write. It’s just a question of finding the “writer’s magic”–a degree of which is in us all. She also insists that writing can be both taught and learned. So she is enraged by the pessimistic authors of so many writing books who rejoice in trying to put off the aspiring writer by constantly stressing how difficult it all is.

‘With close reference to the great writers of her day–Wolfe, Forster, Wharton and so on–Brande gives practical but inspirational advice about finding the right time of day to write and being very self disciplined about it–“You have decided to write at four o’clock, and at four o’clock you must write.” She’s strong on confidence building and there’s a lot about cheating your unconscious which will constantly try to stop you writing by coming up with excuses. Then there are exercises to help you get into the right frame of mind and to build up writing stamina.

‘This is Dorothea Brande’s legacy to all those who have ever wanted to express their ideas in written form. A sound, practical, inspirational and charming approach to writing, it fulfills on finding “the writer’s magic.”‘ – John Gardner

I hope these recommendations are helpful. Do you have useful books on writing process you would add? Let me know in the comments and please share this post with a friend if you enjoyed it.

My Flash Fiction ‘Sober Sixty’

Libby Sommer and 'Grieve" anthology

Have a read of my flash fiction ‘Sober Sixty’ first published in the Grieve Anthology, August 2020, Stories and Poems of Grief and Loss.

Sober Sixty

Samantha’s single women friends were envious, although she assured them Johnny wasn’t perfect. Mood swings, challenging stuff like that.

Nobody messed with Johnny. Nobody knew better than he did, he was always watching YouTube and learning new facts and figures. Also, he rode a motorbike and practiced shooting at weekends. There were Facebook groups for bike riders and a rifle range nearby. Johnny was proud of being a rev-head and a good shot with his gun, and not many people could disagree that he had unusual interests for a man his age.

Sober since forty and counting, he said about his sobriety. They didn’t talk about his twenties and thirties.

There’s a photograph of the two of them from Christmas day. Johnny had tried to lower himself to Samantha’s height for the photo so they’d be on the same level. Stand up tall, she’d said. Stand to your full height. That’s right, he’d said. You like things big.

What does ATP in ATP Cup stand for? was the type of thing Johnny would call out while she poured him a glass of water before setting out on a stroll around the block.

Samantha thought she knew the answer, but didn’t want to risk being wrong. She’d learnt to tiptoe around his wildness and dreaded the fighting when she wasn’t attentive enough to his needs. Dry drunk, AA called it. The unpredictable rages were doing her head in. She knew she needed the courage to walk away.

Now she’s getting by a day at a time.

Her friends say she’s one of the lucky ones. She’s dodged a bullet.

Copyright Libby Sommer 2020

Grieve 2020 Anthology available from Hunter Writer’s Centre website or Booktopia https://hunterwriterscentre.org/bookshop/

Writing Tip: Flash Fiction

Have you tried flash fiction yet? What does flash fiction mean?

‘A flash fiction piece is a self-contained story (beginning/middle/end), 1,000 words or less, that can entertain, intrigue, and satisfy a reader during an F5 tornado. That’s it. No genre restrictions, age requirements, or prior experience needed. Just quick, clean stories.’ – Writer’s Digest

‘Part poetry, part narrative, flash fiction–also known as sudden fictionmicro fiction, short short stories, and quick fiction—is a genre that is deceptively complex.’ – The Review Review

‘Flash fiction is a fictional work of extreme brevity that still offers character and plot development. Identified varieties, many of them defined by word count, include the six-word story, the 280-character story, the “dribble”, the “drabble”, “sudden fiction”, flash fiction, nanotale, and “micro-story”.’ – Wikipedia

I like writing in a short form. I’ve been told I have the sensibility of a poet because I have the ability to distill, so the short form suits me. You may be more of a long distance runner, rather than a sprinter, and prefer the long form of a novel.

Have a read of my flash fiction titled It’s Pot Luck When You Move Into A Unit, winner of the short short fiction UTS Alumni Competition a few years ago. Hope you enjoy it.

It’s Pot Luck When You Move Into a Unit

A nice quiet weekend? the woman downstairs said.  What do you mean? I said, through the open back door, a bag of rubbish in each hand.  She smoothed her ironing on the board and said, They weren’t around over the weekend—with the baby.  She looked happy.  I’m lucky living on the top floor, I said.  She nodded towards the other side of the building.  Jim isn’t so luckyhe’s got the woman upstairs, she said, When he plays the piano and she thumps on the floor.   She put the iron back on its stand.  She’s heavy-footed, that woman.  Bang, bang, bang.   I hear her coming down the stairs every morning at six, and the slam of the front door. 

That night the wind knocked my vase off the window ledge.  I lay awake wondering if the noise of the smash had woken up the people underneath—the ones whose barbecuing sends smoke and disgusting meat smells into my unit.  Nothing clings to your furniture like the stink from last week’s burnt fat.   Sorry about the crash, I muttered to the floor, It was the wind.

Copyright © Libby Sommer 2018

Why not try your hand at writing in this short form and enter a flash fiction competition. Good luck.

Back Cover Blurb: ‘Lost in Cooper Park’

I’ve been slaving away trying to write a good blurb for my soon to be released by Ginninderra Press new book, ‘Lost in Cooper Park’.

Writing a blurb is hard hard work. There are no shortcuts or easy answers. Anyway, after a chat with a close writing friend, this is what I’ve put together for the back cover.

The story begins when, after a fierce storm, Gypsy, a golden Labrador, goes missing in Sydney’s Cooper Park.

A bittersweet comedic account of mistakes, misconceptions and reconciliations in the lives of a disparate group of urban men and women.

There’s Crystal, who wants stability with her eight-year-old daughter and new partner.  

Crystal’s ex, searching for the meaning of existence.

Doctor Sarah wanting a new beginning in France.

Rosemary and Philip who want their daughter to walk again.

Crystal’s high school sweetheart who wants another chance.

And the Homeless Girl hiding in Cooper parklands.

And then there’s the cruelty, unpredictability and beauty of life.

Back cover blurb: ‘Lost in Cooper Park’ by Libby Sommer

Tell me what you think? Would you be interested in reading this book?

My Flash Fiction, Sober Sixty

Libby Sommer and 'Grieve" anthology

Have a read of my flash fiction ‘Sober Sixty’ first published in the August 2020 Grieve Anthology, Stories and Poems of Grief and Loss.

Sober Sixty:

Samantha’s single women friends were envious, although she assured them Johnny wasn’t perfect. Mood swings, challenging stuff like that.

Nobody messed with Johnny. Nobody knew better than he did, he was always watching YouTube and learning new facts and figures. Also, he rode a motorbike and practiced shooting at weekends. There were Facebook groups for bike riders and a rifle range nearby. Johnny was proud of being a rev-head and a good shot with his gun, and not many people could disagree that he had unusual interests for a man his age.

‘Sober since forty and counting,’ he said about his sobriety. They didn’t talk about his twenties and thirties.

There’s a photograph of the two of them from Christmas day. Johnny had tried to lower himself to Samantha’s height for the photo so they’d be on the same level. ‘Stand up tall,’ she’d said. ‘Stand to your full height.’ ‘That’s right,’ he’d said. ‘You like things big.’

‘What does ATP in ATP Cup stand for?’ was the type of thing Johnny would call out while she poured him a glass of water before setting out on a stroll around the block.

Samantha thought she knew the answer, but didn’t want to risk being wrong. She’d learnt to tiptoe around his wildness and dreaded the fighting when she wasn’t attentive enough to his needs. Dry drunk, AA called it. The unpredictable rages were doing her head in. She knew she needed the courage to walk away.

Now she’s getting by a day at a time.

Her friends say she’s one of the lucky ones. She’s dodged a bullet.

Copyright © Libby Sommer 2020

Grieve 2020 Anthology available from Hunter Writer’s Centre website or Booktopia https://hunterwriterscentre.org/bookshop/

Writing Tip: Becoming a Writer

yellow sunflower bookcover of Becoming A Writer by Dorothea Brande

I highly recommend ‘Becoming A Writer’ by Dorothea Brande given to me by a friend many years ago at the beginning of my writing journey.

‘A reissue of a classic work published in 1934 on writing and the creative process, Becoming a Writer recaptures the excitement of Dorothea Brande’s creative writing classroom of the 1920s. Decades before brain research “discovered” the role of the right and left brain in all human endeavor, Dorothea Brande was teaching students how to see again, how to hold their minds still, how to call forth the inner writer.’ – Amazon

‘Refreshingly slim, beautifully written and deliciously elegant, Dorothea Brande’s Becoming a Writer remains evergreen decades after it was first written. Brande believed passionately that although people have varying amounts of talent, anyone can write. It’s just a question of finding the “writer’s magic”–a degree of which is in us all. She also insists that writing can be both taught and learned. So she is enraged by the pessimistic authors of so many writing books who rejoice in trying to put off the aspiring writer by constantly stressing how difficult it all is.

‘With close reference to the great writers of her day–Wolfe, Forster, Wharton and so on–Brande gives practical but inspirational advice about finding the right time of day to write and being very self disciplined about it–“You have decided to write at four o’clock, and at four o’clock you must write.” She’s strong on confidence building and there’s a lot about cheating your unconscious which will constantly try to stop you writing by coming up with excuses. Then there are exercises to help you get into the right frame of mind and to build up writing stamina. She also shows how to harness the unconscious, how to fall into the “artistic coma,” then how to re-emerge and be your own critic.

‘This is Dorothea Brande’s legacy to all those who have ever wanted to express their ideas in written form. A sound, practical, inspirational and charming approach to writing, it fulfills on finding “the writer’s magic.”‘ – John Gardner

Do you have a favourite book about the writing process that you’ve found to be especially useful on your writing journey?

Writing Tip: Use Declarative Sentences

 

 

speech bubble: I'm going to make him an offer he can't refuse

This declarative sentence was spoken by Don Corleone (played by Marlon Brando) in the movie The Godfather (1972).

We don’t always make declarative statements. It is not uncommon for women and other minority groups to add qualifiers to their statements. Such as ‘Parents need to stop organising every minute of their children’s spare time, don’t you think?’ ‘I loved that movie, didn’t you?’ In our sentence structure we look for reinforcement for our thoughts and opinions. We don’t always make declarative statements such as:  ‘This is wonderful.’ ‘This is a catastrophe.’ We look for re-enforcement from others.

Another thing we do without realising it, is use indefinite modifiers in our speech:  perhaps, maybe, somehow. ‘Maybe I’ll take a trip somewhere.’ As if the speaker has no power to make a decision. ‘Perhaps it will change.’ Again, not a clear declarative sentence like, ‘Yes, nothing stays the same.’

It is important for us as writers to express ourselves in clear assertive sentences. ‘This is excellent.’ ‘It was a red dress.’ Not ‘The thing is, I know it sounds a bit vague, but I think maybe it was a red dress.’ Speaking in declarative sentences is a good rehearsal for trusting your own ideas, in standing up for yourself, for speaking out your truth.

When I write poetry I read through early drafts with a critical eye, taking out indefinite words and modifiers. I attempt to distill each moment to its essence by peeling off the layers until the heart of the poem is exposed. We need to take risks as writers and go deep within ourselves to find our unique voices and express ourselves with clarity.

Even if you are not 100% sure about your own opinions and thoughts write as if you are sure.  Dig deep. Be clear. Don’t be vague on the page. If you keep practicing this, you will eventually reveal your own deep knowing.

What about you? Have you noticed this tendency to qualify in your conversations with others, or in your creative writing, or in your blog posts?