A Fabulous Celebration

Libby Sommer reading from her book while Stephen Matthews listensNicholas Building, Melbourne

A big thank you to my publisher Stephen Matthews, Ginninderra Press for a wonderful afternoon of celebration last Saturday at Collected Works Bookshop in the historic Nicholas Building, Melbourne.

Ginninderra Press celebrated 21 years of independent publishing and Stephen Matthews launched my second book, ‘The Crystal Ballroom’. That’s him looking on as I read the first couple of pages of the story. The room was jam-packed full of people. Hopefully, the audience were enthralled and wanted to read the rest of my book.

Other Ginninderra Press writers from all over Australia attended the event and many read a poem or a story including my new friend, the award-winning Melissa Bruce.

We all enjoyed ourselves drinking wine and eating cheese and other tasty bits and telling each other about our work.

There was a long queue at the cash register at the end of the day 🙂

 

 

Why Pinterest May Be The Greatest Website For Writers

Teagan Berry has some great suggestions for us writers on ways to utilize Pinterest as another Social Media tool. Pinterest can help us when we need to create word pictures of characters and settings for our stories.

A Writer's Path

by Teagan Berry

There are countless social media sites out on the internet, each of them offering us different means to share our thoughts and life with other people. For authors, social media can help us out in many different ways. Book promotion, connecting with fans, networking with other authors… and that’s just to name a few.

A little while ago I was introduced to a site called Pinterest by a fellow author and let me tell you, I will be forever grateful to her for it. In this post, along with another one I shall be putting up in a couple days, I hope to give you a few reasons why I believe Pinterest is so useful for authors. Right now, I’m going to focus on the private side of Pinterest, and what it can do for you and your specific writing.

View original post 711 more words

The Goal is to Have Motivated Characters — A Writer’s Path

by S. E. White Everyone has heard of the Plotters vs. Pantsers camps for authors. Plotters take their story and attack it with outlines, guidelines, plotlines, and beat sheets. Pansters take it in a more relaxed way, writing as the story flows with plenty of detours as needed. Most writers take elements from each side and […]

via The Goal is to Have Motivated Characters — A Writer’s Path

Turning Towards the Inner Critic

'Mindfulness' book cover

by Libby Sommer

It is essential to separate the creator and the editor, or inner critic when you practice writing, so that the creator has plenty of room to breathe, experiment, and tell it like it really is.  If the inner critic is being too much of a problem and you can’t distinguish it from your authentic writing voice, sit down whenever you find it necessary to have some distance from it and put down on paper what the critic is saying, put a spotlight on the words—“You have nothing original to say, what made you think you could write anything anyone would want to read, your writing is crap, you’re a loser, I’m humiliated, you write a load of rubbish, your work is pathetic, and your grammar stinks …”  On and on it goes!

Say to yourself, It’s OK to feel this.  It’s OK to be open to this.

You can learn to cultivate compassion for yourself  during this internal process by practicing Mindfulness Meditation.  Sit up straight, close your eyes, bring your awareness to your inner experience.  Now,  redirect your attention to the physical sensations of the breath in the abdomen … expanding as the breath comes in … and falling back as the breath goes out.  Use each breath to anchor yourself in the present.   Continue, concentrating on the breath for several minutes.  Now, expand your field of awareness to include the words of the inner critic.  Turn your attention to where in your body you feel the unpleasant thoughts, so you can attend, moment by moment, to the physical reactions to your thoughts.

 “Stay with the bodily sensations, accepting them, letting them be, exploring them without judgment as best you can.”—Mindfulness, Mark Williams and Danny Penman.

Every time you realise that you’re judging yourself, that realisation in itself is an indicator that you’re becoming more aware.

The more clearly you know yourself, the more you can accept the critic in you and use it.  If the voice says, “You have nothing interesting to say,” hear the words as white noise, like the churning of a washing machine.  It will change to another cycle and eventually end, just like your thoughts and just like the sounds around you that come and go. But, in the meantime, you return to your notebook and practice your writing.  You put the fear and the resistance down on the page.

Do you have any insights for those of us who struggle with a loud inner critic?  

A novel-in-stories

The Crystal Ballroom red and black book cover

Three weeks till launch of my second novel ‘The Crystal Ballroom’, a novel-in-stories.

So what is a novel-in-stories? One famous example  is Elizabeth Strout’s Pullitzer Prize-winning ‘Olive Kitteridge’.

‘A penetrating, vibrant exploration of the human soul, the story of Olive Kitteridge will make you laugh, nod in recognition, wince in pain, and shed a tear or two.’ – Goodreads

‘In a voice more powerful and compassionate than ever before, New York Times bestselling author Elizabeth Strout binds together thirteen rich, luminous narratives into a book with the heft of a novel, through the presence of one larger-than-life, unforgettable character: Olive Kitteridge.’

yellow Olive Kitteridge book cover

A novel-in-stories, or connected short stories that together become more than the sum of their parts,  is also known as a short story cycle.

‘A short story cycle (sometimes referred to as a story sequence or compositenovel) is a collection of short stories in which the narratives are specifically composed and arranged with the goal of creating an enhanced or different experience when reading the group as a whole as opposed to its individual parts.’ – Wikipedia
The Canterbury Tales book cover
‘A novel-in-stories is a book-length collection of short stories that are interconnected. (One of the very first examples of this genre is The Canterbury Tales; a more recent example is The Girl’s Guide to Hunting and Fishing, by Melissa Bank.) A novel-in-stories overcomes two key challenges for writers: the challenge of writing a novel-length work, and the challenge of publishing a book-length work of unrelated short stories. (Few publishers are willing to publish a short-story collection from an unknown writer.) So, the novel-in-stories helps you sell a story collection like you would a novel—as long as the interconnected nature of the stories is strong and acts as a compelling hook. Another advantage to novels-in-stories is that they afford you the opportunity to publish pieces of your novel in a variety of literary magazines, which might attract the attention of an editor or agent.’ – Writer’s Digest

‘The Crystal Ballroom’ is connected by place and by a first person narrator and her friend who exchange stories about the characters they meet at the singles dances as they search for a regular dance partner.

The book will be launched by Stephen Matthews on 1 July in downtown Melbourne at Collected Works Bookshop at an afternoon of launches and book reading to celebrate Ginninderra Press’s 21 years of independent publishing.

Counting down. Can hardly wait.

10 Handy Writing Tips That I Use Regularly – Part 1

Excellent writing tips from Don Massenzio.

Author Don Massenzio

1-pic

  • Write every chance you get. Write every day if you can. You should be thinking about writing or actually writing whenever you can.

2-pic

  • Reading is so important. You should read every chance you get as well. Read good writing and read about writing. Balance fiction and non-fiction to help you improve your own writing.

3-pic

  • Use your everyday observations to help you with coming up with surroundings, characters and situations for your stories. You can do this by keeping notebook with you, or if you’re not afraid of being stared at, use your phone and a recording app and pretend your on a call while you make note of what you see.

4-pic

  • Check your writing for repetitive words and phrasing. If you find yourself using the same words repeatedly, refer to a thesaurus (Shift-F7 in Word) but don’t confound your reader with extravagant utterances and locutions that will flummox them. (Fancy…

View original post 241 more words