What do you think? Do you like the cover? My new book is due for release by Ginninderra Press next month.
I’ve been slaving away trying to write a good blurb for my soon to be released by Ginninderra Press new book, ‘Lost in Cooper Park’.
Writing a blurb is hard hard work. There are no shortcuts or easy answers. Anyway, after a chat with a close writing friend, this is what I’ve put together for the back cover.
The story begins when, after a fierce storm, Gypsy, a golden Labrador, goes missing in Sydney’s Cooper Park.
A bittersweet comedic account of mistakes, misconceptions and reconciliations in the lives of a disparate group of urban men and women.
There’s Crystal, who wants stability with her eight-year-old daughter and new partner.
Crystal’s ex, searching for the meaning of existence.
Doctor Sarah wanting a new beginning in France.
Rosemary and Philip who want their daughter to walk again.
Crystal’s high school sweetheart who wants another chance.
And the Homeless Girl hiding in Cooper parklands.
And then there’s the cruelty, unpredictability and beauty of life.Back cover blurb: ‘Lost in Cooper Park’ by Libby Sommer
Tell me what you think? Would you be interested in reading this book?
Do you know that it is Perinatal Mental Health Week 2020? A time to raise awareness and collaborate to ensure that parents in need know they are not alone.
1 in 5 mums and 1 in 10 dads experience perinatal depression and anxiety, which is 100,000 Australians each year.pmhweek.org.au
Australian writers tell the truth about perinatal anxiety and depression in poetry, fiction & essay in the new anthology, Not keeping mum, edited by Maya Linden, published last month. I was honored to have my short story, The New Baby (first published in Quadrant magazine) included in this important anthology.
Heartfelt, at times confronting and occasionally funny, this collection gives insight into how women navigate the profound changes that occur in their bodies, relationships and lives when they become a parent, and how they find the light at the end of the tunnel.”Anne Buis
All profits from the sale of this book go to PANDA (Perinatal Anxiety and Depression Australia).
‘2020 is the 8th year of the Grieve Project. Since 2013, Australians have submitted poems and stories about their experience with parental grief, sibling grief, loss of a home and numerous other forms of grief and loss.‘2020 was a year of collective grief for Australia and the world. Yet the telling of grief here is much the same as in previous years. While tales of devastating bushfires and the crippling consequences of the coronavirus do feature in this anthology, its core remains unchanged: grief is universal arising from a multitude of experiences and we express it in myriad ways.‘Writing about grief is a most notable expression. This anthology exposes that nobility and humility. It also gives us, the readers, hope.’
My contributor’s copy of ‘Not keeping mum’ – Australian writers tell the truth about perinatal anxiety and depression in poetry, fiction & essay – edited by Maya Linden, arrived by courier yesterday. Am very proud to have a story included in this important anthology to be launched on Wednesday 6 May (Maternal Health Day). $9.99 https://au.blurb.com/b/10013951
SUICIDE LEADING CAUSE OF DEATH FOR AUSSIE MUMS: NEW BOOK AIMS TO END SILENCE ON PERINATAL MENTAL ILLNESS
Perinatal anxiety and depression affects up to 1 in 5 new and expectant mums—and in Australia, suicide is the leading cause of death for mothers during pregnancy and the first year of their baby’s life (Australian Institute of Health and Welfare). Perinatal mental illness is common, and can be devastating for women and their families. So why aren’t we talking about it?
On Wednesday 6 May 2020 (World Maternal Mental Health Day) Not Keeping Mum, a new collection of writing, will be launched to help break the silence around the shocking reality of perinatal mental illnesses in Australia. The book features confessional essays, fiction and poetry by twenty-two authors from across the country, edited by Maya Linden (Just Between Us and Mothers and Others) with a preface by Anne Buist, Professor of Women’s Mental Health (Austin Health and University of Melbourne) and author of the Natalie King trilogy and The Long Shadow.
“As a perinatal psychiatrist I know how fearful women can be—but how brave and determined they are to be the best mother they can, sometimes against the odds”, says Buist. “Heartfelt, at times confronting and occasionally funny, this collection gives insight into how women navigate the profound changes that occur in their bodies, relationships and lives when they become a parent—and how they find the light at the end of the tunnel.”
Inspired by her own experiences of postnatal anxiety and depression—and knowing how writing through the illness helped her survive and recover—author and editor Maya Linden’s goal was to create a collection that opened up conversations on the topic:
“Nine weeks after the birth of my daughter, and with no history of mental illness, I slipped overnight into a terrifying episode of anxiety and depression which saw me hospitalised twice in the first year. But during all my many prenatal health appointments no one told me about this risk and how common it really is. Awareness needs to be increased so women can be prepared for the possibility perinatal mental illness and not feel so scared and alone if they do go on to be affected.”
All profits from sales of the book go directly to PANDA (Perinatal Anxiety and Depression Australia).
Contributors to the collection are available for interview and comment. Extracts are available for reprint. Copies available for review, giveaway or promotion.
For all enquiries:
+61438 553 019
Not keeping mum: Australian writers tell the truth about perinatal anxiety and depression in poetry, fiction & essay, Maya Linden (ed.)
For purchase at https://au.blurb.com/b/10013951
Stories from Bondi is a collection of short stories by Libby Sommer. Libby Sommer is the award-winning Australian author of My Year with Sammy (2015), The Crystal Ballroom (2017) and The Usual Story (2018) and is a regular contributor of stories and poems to Quadrant Magazine.
The stories contained in this book are varied in tone, mood and themes and they go from the very light and funny to sombre and sad, and from the innocent to the complex. Most of the stories are set in the Eastern Suburbs of Sydney and for the inhabitants of this city it is fun to recognise familiar places and people from foreign places will learn about the beauty of Sydney.
Australian humour is sprinkled over the pages as well as truly Australian expressions, typical social comments and comments about the style of clothing the characters wear. Some authors describe characters’ clothes in a way that is pedantic. This is not the case with Sommer, the way this author dresses her characters emphasize aspects of their personality.
Various stories are about Anny, a well-defined character who the reader gets to know through her many and varied experiences. Through Anny’s point of view the reader encounters reflections about modern women, their issues, concerns and sexual mores.
In Stories From Bondi the sea is ever present, as well as the seagulls … seagulls flapping wings, seagulls walking on sand or seaweed, seagulls flying … seagulls who are witnesses of Anny’s life.
Strong women’s issues are covered in some of the stories, but also issues that many women readers would identify as their own, issues such as body image, for example in “After The Rain” where Anny expresses concerns about her figure, the author writes:
“Although there are fans on the ceiling, it’s very hot in the restaurant. Anny wants to take off her cardigan but she doesn’t want to expose her upper arms that is, that are less than perfect even though she does weights and other things at the gym.
She wears a jacket or a cardigan always now to draw the eyes and attention away from that part of her body that is growing larger at a more rapid rate than the rest of her, which is causing her much alarm.”
Sommer with her imaginative mind take us to places, where many women on their own would not dare to go, like lonely overseas trips or to Sex Clubs. Yes, Anny visits a sex club in the story titled “Around Midnight”, story which is packed with the unexpected and with humour. Although, I enjoyed reading this story I would have loved for it to have stronger and more explicit sex scenes. Humour is also found in other stories like in “It’s Not Easy Being On Holidays”, she writes:
“Anny said, On New Year’s Eve I ran my hand up the inside of a man’s trousers from the ankles up and discovered he wasn’t wearing any underwear either.
You discover a little something?
A big something, she said.
They both laughed.”
In the story mentioned above there are also a few really funny passages full of innocence, one of these is when Anny phones her son to tell him about her holidays, Sommer writes:
“And Pamela and Annabel all over each other in front of me. I can’t stand it.
Would it worry you so much if they were straight?
I can’t stand anyone being passionate in front of me — straight or gay. It makes me jealous. It’s inconsiderate of them.
Well, what did you expect going on holidays with two gays, two lesbians, a bisexual and a dog?
Sommer has the ability to create believable characters and place them in real life situations, whether these situations are arranged or occur by chance. The ‘unusual’ sometimes is found in this writer’s narrative, like when she describes different types of Glutei Maximi, for those unacquainted with Latin this mean simply ‘bums’. Sommer is a good observer and as such gives us good descriptions of ‘bums’, the character Anny comments:
“Gradually the men on the beach sauntered towards the boat with money clasped in their bare hands. They lined up one behind the other as they waited their turn, assorted body shapes and colours. Tight firm bums, droopy wrinkly bums. Some with tell-tale underwear marks and others browned all over.”
Slices of life are brought to the reader with cinematic qualities: sceneries, the characters, the situations, all can be seen in the mind’s eye like in a movie. The following is a small example:
“Max leant back on his elbows nibbling on a bunch of grapes. He knocked the bottle of red wine beside him. The bright red liquid seeped into the white sand.
A fly buzzed around the apples.
A trail of ants marched towards the bread.
The Brie softened in the sun.”
The above paragraph is the ending of one of the stories, a simple ending that says so much.
In the collection there is one very sad story of abuse and growing up too quickly and not knowing how to stop abusers who prey on innocent girls. There are also issues experienced by the characters which are very common to women one of this is the need to feel safe, the story “The Backpack” has that need very clearly expressed by the character:
“I knew my children would be pleased I had a base. I didn’t want them to worry. It was the thing I wanted the most secretly, studying maps, absorbing travel books. To be safe, a desire whispered to the moon that moved behind my shoulder at night. If you guide me to a safe haven, I promise to be happy. And the moon listened. I did my best.” How many women would identify with this? Many it is my guess.
All the main characters in Stories From Bondi are women, mainly writers who are portrayed as intelligent, inquisitive, reflective and observant who experience an array of emotions, men would find the stories fascinating and would learn about what goes in women’s heads.
Bondi is not the only setting mentioned in the book, other Australian cities and small towns are the background of some the stories, places like Perth, Cairns, Wee Wa, Brindabella as well as European cities.
Sometimes the author transitions from omniscient narrator to first person narrator, this works in most of the stories but in some small sections this does not happen. This minor issue does not demerit the stories at all.
There is one experimental story in the collection: “Around The World In Fifty Steps” where the author writes sentences and short paragraphs and numbers them from 1 to 50. Some of the sentences are dialogues, others propositions, information about the character and suggestions. The result is positive, the reader gets to know the character and what is going on in her life.
Some of the stories mirror women’s fantasy about escaping the routine, pain, loneliness, disappointment and sorrows as well as those close relationships that can be so complicated such as between mother and daughter. Also the reader will find sad possible romances that never get anywhere like in her previous novel The Usual Story.
Stories from Bondi is a book well written, with an interesting narrative and with characters true to life. Again Sommer brings to light another book in which the reader can submerge themselves into place and characters. Highly recommended.
About the Reviewer:
Dr Beatriz Copello, is a former member of NSW Writers Centre Management Committee, she writes poetry, reviews, fiction and plays. The author’s poetry books are: Women Souls and Shadows, Meditations At the Edge of a Dream, Flowering Roots, Under the Gums Long Shade, and Lo Irrevocable del Halcon (In Spanish).
Beatriz’s poetry has been published in literary journals such as Southerly and Australian Women’s Book Review and in many feminist publications. She has read her poetry at events organised by the Sydney Writers Festival, the NSW Writers Centre, the Multicultural Arts Alliance, Refugee Week Committee, Humboldt University (USA), Ubud (Bali) Writers Festival.
I’m delighted to tell you that my fifth manuscript, LOST IN COOPER PARK has been accepted for publication by small but prestigious publisher Ginninderra Press. Ginninderra is an award-winning independent publisher based in Port Adelaide, South Australia. They publish thought-provoking books for inquiring readers.
Thank g-d for Ginninderra. If it weren’t for them, my books wouldn’t be out there in the world.
LOST IN COOPER PARK is set in Cooper Park, a unique, large, natural green space in the Eastern Suburbs of Sydney with hidden trail walks, tennis courts, picnic areas and dog walking. A great location for a writer like me to come up with a story idea. The book is a continuous narrative this time, rather than a collection of linked stories.
Ginninderra Press’s unique philosophy is:
We believe that all people – not just a privileged few – have a right to participate actively in cultural creation rather than just being passive consumers of mass media. Our culture is revitalised and enriched when everyone is encouraged to fulfil their creative potential and diminished when that creative potential is stifled or thwarted. We love to observe the transformative possibilities for people when they see their work published and acknowledged. Getting published can and does change lives.
Information about Ginninderra on the website includes:
‘Ginninderra is part of Canberra’s Belconnen area, in which Ginninderra Press operated for its first twelve years before moving to Port Adelaide in 2008. Ginninderra is an Aboriginal word said to mean ‘throwing out little rays of light’.
‘Ginninderra Press, described in The Canberra Times as ‘versatile and visionary’, is an independent book publisher set up in 1996 to provide opportunities for new and emerging authors as well as for authors writing in unfashionable genres or on non-mainstream subjects. In the words of one of our authors, we are ‘a small but significant publisher of small but significant books’. Many of our titles have won awards (to see a full list, click here).
‘Ginninderra Press recognises the fact that many people have good ideas for books but cannot get them published, either because of their inexperience in preparing manuscripts or because the potential sales are insufficient to interest a conventional publisher. Ginninderra Press offers expert editing and proofreading, as well as design and lay out services. To see submission guidelines, click here.’
Thank you, thank you, thank you to Ginninderra Press. LOST IN COOPER PARK is due for publication in November 2020. So exciting!
I was very lucky to have award-winning Australian author Susanne Gervay OAM launch my 4th book STORIES FROM BONDI on 2 November at the Blue Mountains Heritage Centre. Susanne and I first became friends about seven years ago when I stayed at her hotel in Woollahra for three weeks while recovering from major surgery. I’d mentioned our mutual friend Sharon Rundle and Susanne had said that anyone who was a friend of Sharon’s was a friend of hers. Susanne would notice me each morning in the corner of the cafe at the hotel working on my stories and she’d often come over and have a chat. Since that time she has continued to show an interest in my work and my writing career. She would encourage me to enter competitions and always remained positive about publication possibilities. Susanne is now one of my best friends. Lucky me.
It’s been a twenty year journey to book publication. I had five book length manuscripts written before I had one accepted for publication by Ginninderra Press. I am forever grateful to Stephen Matthews for giving me a chance. MY YEAR WITH SAMMY, the fifth book I’d written, went on to be Pick of the Week in Spectrum Books in the Sydney Morning Herald and was winner of the Society of Women Writers Fiction Book Award 2016.
So then I sent Stephen Matthews at Ginninderra Press manuscript numbers four, three, and two. He has published one book a year since 2015: MY YEAR WITH SAMMY, THE CRYSTAL BALLROOM, THE USUAL STORY and now, STORIES FROM BONDI.
A massive thank you to my publisher.
And thank you to all those who supported me at the launch by buying copies of my books.
In an animated entertaining presentation Susanne Gervay launched STORIES FROM BONDI by saying in her introduction:
‘Libby’s a red head. That’s the only thing I can think of for her extraordinary life. From my intense research, I know that redheads represent less than 2% of the population so they are a rare breed. They are sensitive, fiery, passionate, and also have more sex than blondes or brunettes. Sorry Libby, I learnt that from Cosmopolitan magazine.’
Susanne is a wonderful guest speaker. She had the whole room laughing wholeheartedly.
‘Mountains are constant but continually changing. Captive to the seasons, they reveal many faces: in winter shrouded in snow and mist, yet so visibly majestic in the summer months that they appear to touch the sky. Lost in clouds at times, so discernible at others. Places of solitude yet at the mercy of mountaineers who swarm them. Both revered and feared; mystical and earthy; elusive but tangible. Does the mystery of mountains lie in the many paradoxes that surround them? Join more than 150 poets from across Australia in a tantalising exploration of mountains around the world, real and imagined, literal and figurative.’ – Joan Fenney
‘Mountains symbolise many aspects – overcoming obstacles, spiritual elevation, constancy, isolation and challenges. They inspire adventurers to scale their heights, and writers, lyricist, artists and photographers to portray them with words and images.’
First review on Amazon of GLASS WALLS, published by Orient BlackSwan, stories of tolerance and intolerance from the Indian sub-continent and Australia edited by Meenakshi Bharat and Sharon Rundle (pictured). Thrilled to see my short story HENRY received a special mention. GLASS WALLS was launched recently at the Australian Short Story Festival in Melbourne. Have a read of Punekar’s review:
“This collection of stories tackles a wide variety of subjects and is categorised into Family, Race, Gender, Religion and so on and that is why I enjoyed the book. One could pick and choose a story to read depending on one’s mood. I specifically liked the stories on Family and Gender. The stories on race brought out the dichotomy that exists in all of us, as mentioned in the introduction to the book. Right thinking people are determined not to be biased and want to do the right thing but the subconscious mind often has another agenda. The rational aspect of the personality loses out in certain circumstances. This is brought out in the stories on family too, particularly the story titled “The Wedding Gift”. Another story I liked was the one titled “Henry”. We behave in the most irrational ways but we are not bad people, not really, just human. All the stories are not equally good, but all of them touch something inside your heart.” – Punekar
GLASS WALLS is available from Indian publisher Orient BlackSwan.