Ground your writing in a sense of place, whether landscape or cityscape. How often have you heard someone say of a book they loved: ‘I felt like I was there’.
Even if you relocate the poodle tied to a fake-cane chair, the sound of a game of tennis, the table of older men after their regular Sunday match at the café overlooking the tennis courts at Cooper Park that you drank a lemongrass and ginger tea at in Sydney into a café in a story in another state and time, the story will have originality and believability. ‘But that café was in Sydney, I can’t transport it to Adelaide.’ But you can. You can have flexibility with specific detail. The mind is able to transport details, but using actual places that you experienced will give your writing authenticity and truthfulness. It grounds your work in place, giving life and vitality to your writing, rather than a whole lot of exposition that floats in the air.
If you don’t create evocative settings, your characters seem to have their conversations in vacuums or in some beige nowhere-in-particular. – Jerome Stern
Creation of the physical world is as important to your story as action and dialogue. If your readers can be made to see the hand-knitted socks or the row of vitamins on the kitchen bench top, the scene becomes alive. Readers pay attention. Touch, sound, taste, and smell make readers feel as if their own feet are warm under the cold sheets.
Place situates the story in your reader’s mind. Fiction that seems to happen in no particular place often seems not to take place at all. – Jerome Stern