I was very lucky to have award-winning Australian author Susanne Gervay OAM launch my 4th book STORIES FROM BONDI on 2 November at the Blue Mountains Heritage Centre. Susanne and I first became friends about seven years ago when I stayed at her hotel in Woollahra for three weeks while recovering from major surgery. I’d mentioned our mutual friend Sharon Rundle and Susanne had said that anyone who was a friend of Sharon’s was a friend of hers. Susanne would notice me each morning in the corner of the cafe at the hotel working on my stories and she’d often come over and have a chat. Since that time she has continued to show an interest in my work and my writing career. She would encourage me to enter competitions and always remained positive about publication possibilities. Susanne is now one of my best friends. Lucky me.
It’s been a twenty year journey to book publication. I had five book length manuscripts written before I had one accepted for publication by Ginninderra Press. I am forever grateful to Stephen Matthews for giving me a chance. MY YEAR WITH SAMMY, the fifth book I’d written, went on to be Pick of the Week in Spectrum Books in the Sydney Morning Herald and was winner of the Society of Women Writers Fiction Book Award 2016.
So then I sent Stephen Matthews at Ginninderra Press manuscript numbers four, three, and two. He has published one book a year since 2015: MY YEAR WITH SAMMY, THE CRYSTAL BALLROOM, THE USUAL STORY and now, STORIES FROM BONDI.
A massive thank you to my publisher.
And thank you to all those who supported me at the launch by buying copies of my books.
In an animated entertaining presentation Susanne Gervay launched STORIES FROM BONDI by saying in her introduction:
‘Libby’s a red head. That’s the only thing I can think of for her extraordinary life. From my intense research, I know that redheads represent less than 2% of the population so they are a rare breed. They are sensitive, fiery, passionate, and also have more sex than blondes or brunettes. Sorry Libby, I learnt that from Cosmopolitan magazine.’
Susanne is a wonderful guest speaker. She had the whole room laughing wholeheartedly.
So, here’s the thing: choose something in particular to write about. For example, what it felt like having a tennis lesson after a twenty year break. Give us the specifics. Dig deep for the details, but at the same time be aware of the world around you. As you focus on what you’re writing, at the same time stay conscious of your surroundings: the white painted cane Bentwood chairs in the café, the cool breeze from under the door on your sandaled feet, the hum of the traffic outside. Just add a sentence every now and then about the trees that overlooked the tennis courts while you were having a tennis lesson. When we focus on our writing it is good. Seeing the colour of the sky when you toss the ball gives breathing space to your story.
If you are sitting in Meditation you calm the butterfly mind by paying attention to your thoughts, giving them space by acknowledging them before returning to the breath, in and out through the nostrils. In the act of slowing down your breathing, as best you can, you remain open so that you are receptive to awareness of sounds as they arise: sounds near, sounds far, sounds in front, behind, to the side, above or below.
With every breath you take, you feel the air, the sound of the ball as it hits the racket, the players on the other courts.
We should always be living in the present, not by ignoring the world around us, but by paying close attention. It is not easy to stay alive to ‘what is’. When we slow things down in our writing, it is good practice.
What about you? Do you find a daily meditation practice assists your writing practice?
‘Mountains are constant but continually changing. Captive to the seasons, they reveal many faces: in winter shrouded in snow and mist, yet so visibly majestic in the summer months that they appear to touch the sky. Lost in clouds at times, so discernible at others. Places of solitude yet at the mercy of mountaineers who swarm them. Both revered and feared; mystical and earthy; elusive but tangible. Does the mystery of mountains lie in the many paradoxes that surround them? Join more than 150 poets from across Australia in a tantalising exploration of mountains around the world, real and imagined, literal and figurative.’ – Joan Fenney
That’s me reading my prose poem AMBER PUPPY at the Blackheath Heritage Centre for launch last Saturday of the anthology MOUNTAIN SECRETS (Ginninderra Press
) edited by Joan Fenney. Publisher Stephen Matthews looks on.
In the Introduction to MOUNTAIN SECRETS Joan Fenney writes:
‘Mountains symbolise many aspects – overcoming obstacles, spiritual elevation, constancy, isolation and challenges. They inspire adventurers to scale their heights, and writers, lyricist, artists and photographers to portray them with words and images.’
A big thank you to Ginninderra Press for inviting all of us GP poets to bring our creativity to this anthology, exploring themes of love, loss, hurt, courage, awe, reverence and solitude. Such an honour to be included.