I’m trying to write a good solid beginning for my new book. I don’t know yet if I’ll be able to maintain the narrative momentum necessary to complete another book length marathon because what I do best is the short form: short stories, flash fiction, prose poems. I’m a sprinter rather than a long distance runner. However, I do have an idea for the setting of the story, the main character and the situation. But that’s all.
Here are the first few paragraphs of my work in progress. My fingers are crossed that I will make it to the end of the story.
“From the window all she could see was a thick expanse of white. She imagined that beyond the bleached park, bereft of native flora, but sprouting feral Norfolk Island pines, lay the immense Pacific Ocean, its agitated waves unravelling along the distant sand of the beach. A few metres beyond that she pictured the white tower and lantern of the Harbour Light, as pictured on the hotel’s website, silently but steadily showing the way.
It was early winter. The tourists had left, the rates were cheaper, and there wasn’t much to look forward to in this sleepy seaside town. Its residents – mostly retirees – were tucked up at home or on holidays in warmer climates. The thick fog that hung low for days on end and the bitter wind from the sea would disappear in its own time to uncover a totally different scene: seagulls skimming the shore, pelicans at the pier, an outdoor craft market, the intermittent feisty spurt of water from the blowhole, formed from basalt lava 260 million years ago, named “kiarama” by Aboriginals, place where the sea makes a noise.
On the jaunty semi-rural valley to the south were dark red cows, producers of butter fat and protein milk. This was a land of dairy-farming plenty, the place where the mountains touched the sea, leaving only the weather frustratingly beyond restraint.
Kirsten Craig, a writer of crime fiction under a more testosterone-fuelled name, kept standing by the window, as if by sheer force of will she could penetrate the confusing mist. She yearned for clarity, an uncomplicated, black or white, answer. She’d find what she needed: peaceful hotel, good food, long walks by the sea, lack of stress, early nights. She would resurrect her conscientious and work-focused persona and put out of her mind the foolishness that had led to her being in this small town, at this slowly darkening time of the year, when she should have been at home.”
According to ‘How to Write a Good Hook & Start Your Novel with a Bang!’ by BookBub:
- Startle readers with the first line. …
- Begin at a life-changing moment. …
- Create intrigue about the characters. …
- Use a setting as the inciting incident. …
- Up the stakes within the first few pages. …
- Introduce something ominous right away. …
- Set the mood. …
- Make your characters sympathetic — and relatable — immediately.
- Draw in the reader with a strong voice
- Start at a moment of confusion
- Don’t get bogged down with exposition
- End the first chapter with a killer cliffhanger
Author Jerome Stern writes in ‘Making Shapely Fiction’:
‘In the first draft of a story, no rules apply. You write and write, ideas come, characters change, situations grow, dialogues take off, speeches become scenes, and surprises occur. … After this first draft exists, then you can bring to bear some of your critical faculties and see what you can see about your creation.’
‘The Art of Fiction’ author David Lodge asks:
‘When does a novel begin? The question is almost as difficult to answer as the question, when does the human embryo become a person? Certainly the creation of a novel rarely begins with the penning or typing of its first words. Most writers do some preliminary work, if it is only in their heads. Many prepare the ground carefully over weeks or months, making diagrams of the plot, compiling c.v.s for their characters, filling a notebook with ideas, settings, situations, jokes, to be drawn on in the process of composition. Every writer has his or her own way of working.
Hope you find this post useful. Let me know in the comments if there’s something you’d like to add about your own experience of writing a story beginning.