A big thank you to Ginninderra Press. STORIES FROM BONDI has been accepted for publication by this small but prestigious Australian publisher.
The Ginninderra Press philosophy:
‘We believe that all people – not just a privileged few – have a right to participate actively in cultural creation rather than just being passive consumers of mass media. Our culture is revitalised and enriched when everyone is encouraged to fulfil their creative potential and diminished when that creative potential is stifled or thwarted. We love to observe the transformative possibilities for people when they see their work published and acknowledged. Getting published can and does change lives.’
Getting published has definitely changed my life. The problem has been that larger publishers are not interested in novellas or short story collections.
My first book MY YEAR WITH SAMMY (2015) was a novella, the second two, THE CRYSTAL BALLROOM (2017) and THE USUAL STORY (2018), were novels-in-stories.
STORIES FROM BONDI is a short story collection and will be released in late 2019. An earlier version of the manuscript was part of my MA in Writing (UTS) back in 2001.
I’m thrilled and delighted and very very thankful to Stephen Matthews, Ginninderra Press.
Ginninderra Press, described in The Canberra Times as ‘versatile and visionary’, is an independent book publisher set up in 1996 to provide opportunities for new and emerging authors as well as for authors writing in unfashionable genres or on non-mainstream subjects. In the words of one of our authors, we are ‘a small but significant publisher of small but significant books’.
As an author writing in unfashionable genres: novellas and short story collections, I am extremely grateful to this award-winning independent publisher for taking me on. If it wasn’t for Stephen Matthews my work would not be out in the world.
In the Saturday-afternoon feedback group, we began talking about the ‘off with his head’ or ‘out-it-goes’ part of writing. We acknowledged that as a group we’d always been very supportive and encouraging of each others work. That was because we were all in it together. Our critiquing was not telling lies; it was from a place of open-hearted acceptance. Everything you put on the page is acceptable.
Sometimes someone says, ‘I want a rigorous no-holds-barred assessment of my work.’ But what do you say to them when the writing is dull and boring? Don’t give up your day job? It doesn’t sit comfortably with most of us to be directly critical of someone’s writing. It’s like telling someone how ugly their baby is. All of us find it hard to separate our writing from ourselves, and are prone to take criticism personally.
The feedback sandwich is a widely known technique for giving constructive feedback, by ‘sandwiching’ the criticism between two pieces of praise or compliments.
Yesterday, as we passed around copies of our work (just a page or two) we started to address what William Faulkner famously said:
‘In writing, you must kill all your darlings.’
First of all, we looked for the juice in each piece. Where did the writing come alive? ‘Get rid of the rest,’ we said. ‘Off with his head—out it goes.’ It’s very difficult to be this honest, and not everyone wants to hear it. ‘I simply want gentle support and a few corrections,’ some of us might say.
Be willing to have the courage to look at your work with truthfulness. It’s good to know where your writing has energy and vitality, rather than to spend a lot of time trying to make something come to life that is dead on the page. Keep writing. Something new will come up. You don’t want to put your readers to sleep by writing a lot of boring stuff.
What about you? What works or doesn’t work for you in critique groups? Do you have any tips you would add? Let me know in the comments and please share this post with a friend if you enjoyed it.
Mark Williams and Danny Penman write in MINDFULNESS, a practical guide to finding peace in a frantic world: ‘Whatever you feel, as best you can, see if you can bring an open and kind-hearted awareness to all of your feelings. Remember Rumi’s ‘Guest House’ poem (see below). Remember to roll out the welcome mat to even your most painful thoughts, such as fatigue, fear, frustration, loss, guilt or sadness. This will diffuse your automatic reactions and transform a cascade of reactions into a series of choices.’
The Guest House
by Rumi, a thirteenth century Sufi poet:
This being human is a guest house.
Every morning a new arrival.
A joy, a depression, a meanness,
some momentary awareness comes
as an unexpected visitor.
Welcome and entertain them all!
Even if they are a crowd of sorrows,
who violently sweep your house
empty of its furniture,
still, treat each guest honourably.
He may be clearing you out
for some new delight.
I keep reading and rereading this book by Mark Williams and Danny Penman. Each morning I play one of the tracks of the guided meditations CD that is included. It’s my daily practice to help keep me calm and centred. Sometimes I select the Moving Meditation Track that includes some gentle stretching, other times I sit up in bed and concentrate on my breathing before writing in my journal. Remember, the breath is always there for us. It anchors us in the present. It is like a good friend. It reminds us that we are OK just as we are.
‘MINDFULNESS reveals a set of simple yet powerful practices that you can
incorporate into daily life to help break the cycle of anxiety, stress,
unhappiness, and exhaustion. It promotes the kind of happiness and
peace that gets into your bones. It seeps into everything you do and
helps you meet the worst that life throws at you with new courage.’
I hope introducing you to this book and its ideas is useful. Do you have anything you would add? Let me know in the comments and please share this post with a friend if you enjoyed it.
My poem Between the Islands of the Pacific was first published in June Quadrant magazine with poems by Les Murray, Barbara Fisher, Craig Kurtz, Geoff Page, Dan Guenther, Gabriel Fitzmaurice and Graeme Hetherington. Big thank you to Literary Editor, Les Murray.
Between the Islands of the Pacific
Because by now we know everything is not so blue
The cities had tipped rubbish into the sea,
and we let them without even noticing.
Not even feeling our breathing clear
as gusts reaching ten knots cleaned up our days.
Not even. Today pure blue sky, blue sea,
out there the horizon drawing a line
below the clouds, the absoluteness of it. Nights
of diesel engines shuddering beneath us.
We lounge on chairs side by side on the deck.
At dusk, we stand at the railing of the ship as the sun
slips into the ocean. In the fresh sea air, their backs turned,
some raise a selfie-stick or light a cigarette while others
stand holding their breath.
Where can we go from here, and how?
Copyright © Libby Sommer 2018
Every once in a while, when I’m scratching around for something new to write, I make a list of the things I obsess about. Thankfully, some of them change over time, but there are always new ones to fill the gap.
It’s true that writers write about what they think about most of the time. Things they can’t let go; things that plague them; stories they carry around in their heads waiting to be heard.
I used to get my creative writing groups to make a list of the topics they obsess about so they could see what occupies their thoughts during their waking hours. After you write them down, you can use them for spontaneous writing before crafting them into stories. They have much power. This is where the juice is for writing. They are probably driving your life, whether you realize it or not, so you may as well use them rather than waste your energy trying to push them away. And you can come back to them repeatedly.
One of the things I’m always obsessing about is relationships: in families, with friends, with lovers. That’s what I tend to write about. I think to myself, Why not? Rather than repress my obsessions, explore them, go with the flow. And life is always changing, so new material keeps presenting itself.
We are driven by our passions. Am I the only one who thinks this? For me these compulsions contain the life force energy. We can exploit that energy. The same with writing itself. I’m always thinking and worrying about my writing, even when I’m on holidays. I’m driven.
But not all compulsions are a bad thing. Get involved with your passions, read about them, talk to other people about them and then they will naturally become ‘grist for the mill’.
What about you? Do you find yourself writing about the same situations over and over again? I hope these thoughts are useful. Do you have anything you would add? Let me know in the comments and please share this post with a friend if you enjoyed it.