Writing Tip: Slow things down

woman in blue tennis dress position to hit big forehand

So, here’s the thing:  choose something in particular to write about. For example, what it felt like having a tennis lesson after a twenty year break. Give us the specifics. Dig deep for the details, but at the same time be aware of the world around you. As you focus on what you’re writing, at the same time stay conscious of your surroundings:  the white painted cane Bentwood chairs in the café, the cool breeze from under the door on your sandaled feet, the hum of the traffic outside. Just add a sentence every now and then about the trees that overlooked the tennis courts while you were having a tennis lesson. When we focus on our writing it is good. Seeing the colour of the sky when you toss the ball gives breathing space to your story.

If you are sitting in Meditation you calm the butterfly mind by paying attention to your thoughts, giving them space by acknowledging them before returning to the breath, in and out through the nostrils. In the act of slowing down your breathing, as best you can, you remain open so that you are receptive to awareness of sounds as they arise: sounds near, sounds far, sounds in front, behind, to the side, above or below.

With every breath you take, you feel the air, the sound of the ball as it hits the racket, the players on the other courts.

To slow myself down in tennis I often use the one, two, three method when serving or when receiving a ball from the server. I count ‘one’ as I prepare the service swing, ‘two’ as I toss the ball and ‘three’ when the racket connects with the ball. When receiving a serve I count ‘one’ as the server tosses the ball, ‘two’ when the server hits the ball, ‘three’ when I hit the ball to return the serve. It helps. My tennis coach Chris at Wentworth Tennis suggested I do this, to slow things down.

We should always be living in the present, not by ignoring the world around us, but by paying close attention. It is not easy to stay alive to ‘what is’. When we slow things down in our writing (and in our tennis), it is good practice.

What about you? Do you find a daily meditation practice assists your writing practice?

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The older woman in fiction

men and women dancing

My new book, The Usual Story (Ginninderra Press) is due for release mid 2018. Like The Crystal Ballroom, The Usual Story is set in the dance world and will add to a small pool of literature that addresses the issue of the older woman in fiction.

‘In this unusual book Libby Sommer puts women’s psyches under the microscope – their hopes and dreams, fears and foibles – yet always with a deft touch and a sympathetic ear.‘ –  The Crystal Ballroom review, Women’s Ink! magazine , November 2017

two tango dancers in red black and white

The Usual Story touches on the stages of a woman’s life:  childhood, adolescence, marriage, motherhood and grand-motherhood. It’s created from asides, snapshots, glimpses, encounters and memories. The numbered sections provide a container for the chaos as we meet this woman in mid-life change. How will she come to terms with the truth of her aging in a culture that has very little use for anything that is not young?

Set partly in a seaside suburb of Sydney the story is played out against a response to nature, using the poetry of the Australian seascape to celebrate the beauty of this country. The presence of the sea throughout suggests the enigma at the heart of all life processes, the fact that certain things can’t be captured in words, can only be hinted and gestured at.

Together with many other developed countries, Australia’s population is ageing. Over the course of the 20th century, the proportion of people aged 65 and over has tripled. The baby boomer generation form a prominent part of Australia’s population, and as most fiction readers are women over forty the book will reach a group of people who are increasing in number but who are often ignored in literature. Most novels, if they have a heroine at all, depict her as young and beautiful, whereas middle-aged women, the majority of the readership, have no role models.

Although publication of The Usual Story is still more than six months away, we are looking at ideas for the cover. It will probably have a similar look to The Crystal Ballroom, perhaps in red, black and white with a dance theme. The publisher will make the final decision.

So then comes reviews for the back cover. Any suggestions for reviewers?

Header image Pinterest:  Beryl Cook – Dancing the Black Bottom

 

 

Writing Tip: Tell It Like It Is

speech bubble: I'm going to make him an offer he can't refuse
Pinterest image

Use clear declarative sentences. This assertive statement was spoken by Don Corleone (played by Marlon Brando) in the movie The Godfather (1972).

It is not uncommon for women and other minority groups to add qualifiers to their statements. Such as ‘Parents need to stop organising every minute of their children’s spare time, don’t you think?’ ‘I loved that movie, didn’t you?’ In our sentence structure we look for reinforcement for our thoughts and opinions. We don’t always make declarative statements. ‘This is wonderful.’ ‘This is a catastrophe.’ We look for re-enforcement from others.

Another thing we do without realising it, is use indefinite modifiers in our speech:  perhaps, maybe, somehow. ‘Maybe I’ll take a trip somewhere.’ As if the speaker has no power to make a decision. ‘Perhaps it will change.’ Again, not a clear declarative sentence like, ‘Yes, nothing stays the same.’

It is important for us as writers to express ourselves in clear assertive sentences. ‘This is excellent.’ ‘It was a red dress.’ Not ‘The thing is, I know it sounds a bit vague, but I think maybe it was a red dress.’ Speaking in declarative sentences is a good rehearsal for trusting your own ideas, in standing up for yourself, for speaking out your truth.

When I write poetry I read through early drafts with a critical eye, taking out indefinite words and modifiers. I attempt to distill each moment to its essence by peeling off the layers until the heart of the poem is exposed. We need to take risks as writers and go deep within ourselves to find our unique voices and express ourselves with clarity.

Even if you are not 100% sure about your own opinions and thoughts write as if you are sure.  Dig deep. Be clear. Don’t be vague on the page. If you keep practicing this, you will eventually reveal your own deep knowing.

I hope this post is useful. Do you have any tips you would add? Let me know in the comments and please share this post with a friend if you enjoyed it. 

Writing Retreat for One

 

houses and clock in Villefranche sur Mer
Villefranche sur Mer

Am preparing for departure to my yearly Writing-Retreat-for-One in the south of France.  I feel very privileged. A month to myself in Villefranche sur Mer, a little fishing village on the Cote d’Azur. I go to this beautiful part of the world to regenerate, to read and to write and to go for long walks along the coast to St Jean Cap Ferrat or up up up to Mont Boron. That is the view from the top of Mont Boron in my profile pic.  Italy to the left and Nice, France to the right.

‘Overlooking one of the world’s loveliest natural quaysides, a privileged anchoring spot for the most prestigious cruise ships, Villefranche-sur-Mer has maintained its historic cachet with its port, the colorful façades of the Old Town and its Citadelle. Jean Cocteau, amongst other artists, fell under the spell of this enchanting site. Bathers and divers especially appreciate its beaches lapped by clear waters.’ – Cote d’Azur tourist information

I am able to fly directly to Nice from Sydney, Australia so I don’t have to pass through big airports like London and Paris. The small apartment I rent in the pedestrians-only fishing village of Villefranche sur Mer is a 20 minute cab ride from Nice. All very manageable considering it takes 24 hours sitting in a plane to fly across the world to get to Nice.

It will be early winter in France (summer time back home in Australia) so rents are slightly cheaper. Also, booking for one month gives a reduced price.

Villefranche-sur-Mer
Riviera Cote d’Azur

I will be seeking inspiration on the French Riviera just like the many artists who’ve been influenced by the sparkling blue waters and scenic streets, many of whom are now regarded as the world’s most influential and important. These include Pablo Picasso, Claude Monet, Paul Cezanne, Henri Matisse and Edvard Munch. Cezanne was the first to arrive in the early 1880s.

‘Since the mid-19th century, the Cote d’Azur (French Riviera) has been luring aristocrats, the rich and the famous, and esteemed artists to its picture perfect cliff-lined coastline. After France acquired this territory in 1859 and then with the arrival of the region’s first railway system, the Riviera rapidly evolved into a popular vacation locale. The Mediterranean seaboard’s mild climate appealed to socialites looking for a retreat away from the dreary winters elsewhere in Northern Europe, and this destination also captivated the hearts of numerous prominent painters. You too can experience the very same radiant sunlight, breathtaking countryside, and vibrant hues that inspired the great works of Cezanne, Monet, Munch, Matisse, Picasso and Van Gogh.’ – auto Europe

We all need time out to regenerate. I’ll be taking with me a print out of the first draft of my novel ‘Lost In Cooper Park’. I hope to make some progress on the book at my Writing-Retreat-for-One in the south of France. The perfect place to call on the writing muse.