by Libby Sommer:
After a big storm, a golden Labrador goes missing in Sydney’s Cooper Park. This is the scene that begins my new novel-in-progress. I use the search for the dog as a linking device for my characters who are all at a turning point in their lives. I jump cut between discreet scenes (not a continuous narrative) which, unfortunately, is very confusing to the readers in my weekly feedback group.
Transitions are important in fiction because you can’t possibly show or account for every moment in a character’s day, week, or life. A story may stretch over years—readers don’t need to know what happened every minute of those years. A scene transition takes characters and readers to a new location, a new time, or a new point of view.
Scene transitions in movies are easy. The screen fades to black at just the right moment, and when it lights up again, you’re watching a new scene. But how do you write transitions on the page? How does your character get from Point A to Point B without too much boring detail and telling description?
One way to write scene transitions in novels is to Jump Cut. The term usually refers to Cinema.
‘When Jean-Luc Godard popularized the jump cut in 1959 when he made his breakthrough movie Breathless, it has since become a useful and intriguing editing tool. For those of you who don’t know what a jump cut is: (per Wikipedia): “A jump cut is a cut in film editing in which two sequential shots of the same subject are taken from camera positions that vary only slightly. This type of edit causes the subject of the shots to appear to “jump” position in a discontinuous way.”’ – posted by Tyler on Southern Vision
‘The quick-paced German thriller throbs with jump cuts, zoom shots and the speedy sense of an instinctual filmmaker.’ – Charles Taylor, reviewing Run Lola Run
If you want to keep the narrative moving at a fast pace, you can jump cut on the page from scene to scene. But each scene needs to have a beginning a middle and an end.
This technique can be confusing at times, but effective and very readable.
One way to make Jump Cuts on the Page less confusing is to have a strong sense of place. The place is the setting of the story, where the action is located. Setting can be the connective tissue. For me it’s Cooper Park with its cafe, tennis courts, children’s playground, etc. So, the missing dog, the park and the cafe lessen the confusion, make the transitions smoother – hopefully.
What about you? Do you find writing scene transitions to be one of the most challenging aspects of writing a novel?